



(Video hosted on Youtube.)
n the four-part BBC2 series Tropic of Capricorn, broadcast in 2008, Simon followed the southern border of the tropics region around the world. While filming Tropic of Capricorn, Simon travelled through Namibia, Botswana, South Africa, Mozambique, Madagascar, Western Australia, the Northern Territory, Queensland, Chile, Argentina, Paraguay and Brazil. The journey took him to stunning areas of the world, but it was also a chance for spontaneous discoveries about the changing global environment, poverty, globalisation, AIDS, the rise of the Chinese economy and the suffering of Africa. Simon Reeve is an author, adventurer and broadcaster. In recent years he’s been travelling around little-known regions of the world for a series of BBC television documentaries. On this site you can find out more information on Simon’s journeys and books.
ix up the vast landscapes of the Gobi, the snowcapped mountains of Bayan-Ölgi and the dramatic gorges and sparkling lakes of Khövsgöl. Sprinkle in the felt homes of the nomad and the cry of an eagle. Add Buddhist temples, mysterious ruins, abundant wildlife and legendary hospitality. Then top it all off with a conqueror who started with nothing and ended up changing history. If this description perpetuates your belief in an untouched country, then you also need the scoop on the new Mongolia. Add to the above internet cafés in Ulaanbaatar, herders chatting on mobile phones, Manhattan-style cocktail bars, eco-yurts and vegetarian cafés. The Humvees plying Peace Ave would probably have Chinggis Khaan turning green with envy. Most travellers come for Naadam, the two-day summer sports festival that brings Ulaanbaatar to a standstill. But Mongolia’s unique charm will always lie in the countryside where, rather than being a spectator to the wrestling, you may find yourself making up the numbers! Outside the villages it’s easy to meet nomad families whose relentless sense of hospitality can at times be nothing short of overwhelming.
urved more than 4,000 tortuous kilometres across 20 mountain chains and two desert plateau’s, spanning four great rivers, and cutting through the territory of 25 different ethnic groups – is the ancient Tea Road. ‘Tea Road to the Skies’ is a series that follows in the footsteps of the caravans which for centuries hauled their baggage of tea along this road and across Asia to be dispersed to the entire world. This annual pilgrimage took 6 months and the path was so well used that the track is beaten deep into the rocks all the way from China to the giant tea market in Lhasa. Learn more about where one of the world’s favourite drinks comes from and revel in the stunning cinematography, all in striking high definition.
F
iji (sometimes called the Fiji Islands), is a Melanesian country in the South Pacific Ocean. It lies about two-thirds of the way from Hawaii to New Zealand and consists of an archipelago that includes 332 islands, a handful of which make up most of the land area, and approximately 110 of which are inhabited.
Fiji straddles the 180 degree longitude line (which crosses land on a remote tip of Vanua Levu and again near the centre of Taveuni), so the international date line jogs east, placing Fiji all in one time zone and “ahead” of most of the rest of the world.
Fiji is the product of volcanic mountains and warm tropical waters. Its majestic and ever-varied coral reefs today draw tourists from around the world, but were the nightmare of European mariners until well into the 19th century. As a result, Fijians have retained their land and often much of the noncommercial, sharing attitude of people who live in vast extended families with direct access to natural resources. When it came, European involvement and cession to Britain was marked by the conversion to Christianity, the cessation of brutal tribal warfare and cannibalism, and the immigration of a large number of indentured Indian laborers, who now represent nearly half of the population, as well as smaller numbers of Europeans and Asians. Today, Fiji is a land of tropical rainforests, coconut plantations, fine beaches, fire-cleared hills. For the casual tourist it is blessedly free of evils such as malaria, landmines, or terrorism that attend many similarly lovely places in the world.
Internal political events in the recent past resulted in a reduction in tourism. The Fiji tourism industry has responded by lowering prices and increasing promotion of the main resort areas that are far removed from the politics in and around the capital, Suva.
Nick Fraser
Storyville Series Editor
Wheel of time – Tibet.
T
he legendary German filmmaker Werner Herzog traveled to India in 2002 to make a documentary on Kalachakra, the elaborate ordaining ritual for Tibetan Buddhist monks. Every two or three years, nearly a half million pilgrims travel to witness it at Bodh Gaya, India, where the Buddha sat under a tree and found enlightenment. A sand mandala signifying the wheel of time is meticulously created by monks and is meant to stir the seeds of enlightenment in Buddhists of all stripes. This intricate creation stands for the world of phenomena, the realms of consciousness, and the pure lands of the deities. Pilgrims from Nepal, Bhutan, Mongolia, Thailand, and Sri Lanka arrive in trucks or on foot. They endure heat, hunger, and thirst to get there. Those who are more well-to-do set up tents while the majority sleep on the ground.
Herzog shares an interview with a monk who took three-and-one-half years to arrive at Bodh Gaya: he did prostrations all the way for 3,000 miles. He has knobs on his wrists and a wound on his forehead from touching the earth with his head millions of times. What does he have to show for it? You can see in his eyes and visage a serenity that comes from such discipline and devotion.
Meanwhile thousands of other Buddhists are working on 100,000 prostrations facing the tree where Buddha was enlightened. Herzog playfully captures a small child kneeling on the earth and trying to mimic the prostrations of the adults around him. Other pilgrims gather around a stupa that has healing powers.
There are so many ways for the pilgrims to find happiness. One purchases a few birds and sets them free. Young monks gather excitedly to serve tea to the elders; it is considered an honor to be of service. One of the high points of the festivities comes when the monks throw gifts to the crowds, including barley dumplings which hold the promise of a long and prosperous life.
When the sand mandala is finally finished, it must be enclosed in glass since one touch or even a breath could destroy it. When the pilgrims learn that His Holiness the Dalai Lama has joined them, they gather in long lines to enter the place where he will speak. People toss their prayer shawls to the front just to have them in his presence. But the Kalachakra initiation cannot be completed since the Dalai Lama is not feeling well. His sadness spreads to the Tibetan Buddhists who have waited so long to be with him in this gathering.
Herzog travels to the next Kalachakra meeting, which is held in Graz, Austria, in 2002. The Dalai Lama is in good health again and 8,000 Eastern and Western Buddhists gather in a convention hall for the ceremonies. Herzog interviews a Tibetan Buddhist who has just been released from prison after serving 37 years. He describes the ordeals brought on by two statements of liberation for his people; he can’t really put into words the joy he felt upon first seeing the Dalai Lama. The sand mandala ceremonies are completed, and it is destroyed in several minutes. Here is a stunning and unforgettable image of Tibetan Buddhism’s acknowledgment of the impermanence of all things. The sand is gathered and released into a nearby river to flow out into the world as a blessing.
Herzog’s engrossing documentary is a spiritual blessing for Buddhists and anyone else fortunate to experience it. There are several brief interviews with the Dalai Lama where he demonstrates his knowledge of Buddhist tradition and his hopes that all religions will practice love, kindness, and compassion in a world split apart by hatred, war, and misunderstandings. At one point, a smudge appears on the lens of the camera and Herzog casually wipes it off with his thumb. The director’s sense of humor comes across when he photographs one bodyguard still on duty in the nearly empty convention hall. Back in India, he focuses on a single monk seated on his prayer cushion amidst 400,000 other cushions. The closing shot is of Mount Kalish in Tibet, which has been called a “precious jewel of snow.” According to tradition, one three-day trip around the sacred mountain can wipe away the sins of a lifetime. Herzog catches the shimmering dots on the lake in front of the jewel shaped mountain in what becomes a breathtaking visual delight.
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