



Gordon Lightfoot If You Could Read My Mind.
G
ordon Meredith Lightfoot, Jr. CC OOnt (born November 17, 1938) is a Canadian singer-songwriter who achieved international success in folk, folk-rock, and country music, and has been credited for helping define the folk-pop sound of the 1960s and 1970s. He has been referred to as Canada’s greatest songwriter and internationally as a folk-rock legend.
Gordon Lightfoot
If You Could Read My Mind – 1970
If You Could Read My Mind, by Gordon Lightfoot
If you could read my mind, love,
What a tale my thoughts could tell.
Just like an old time movie,
‘Bout a ghost from a wishing well.
In a castle dark or a fortress strong,
With chains upon my feet.
You know that ghost is me.
And I will never be set free
As long as I’m a ghost that you can’t see.
If I could read your mind, love,
What a tale your thoughts could tell.
Just like a paperback novel,
The kind the drugstores sell.
When you reached the part where the heartaches come,
The hero would be me.
But heroes often fail,
And you won’t read that book again
Because the ending’s just too hard to take!
I’d walk away like a movie star
Who gets burned in a three way script.
Enter number two:
A movie queen to play the scene
Of bringing all the good things out in me.
But for now, love, let’s be real;
I never thought I could feel this way
And I’ve got to say that I just don’t get it.
I don’t know where we went wrong,
But the feeling’s gone
And I just can’t get it back.
Roy Orbison – In dreams.
R
oy Orbison possessed one of the great rock and roll voices: a forceful, operatic bel canto tenor capable of dynamic crescendos. He sang heartbroken ballads and bluesy rockers alike, running up a formidable hit streak in the early Sixties. From the release of “Only the Lonely” in 1960 to “Oh! Pretty Woman,” a span of four years, Orbison cracked the Top Ten nine times. His most memorable performances were lovelorn melodramas, such as “Crying” and “It’s Over,” in which he emoted in a brooding, tremulous voice.
In Dreams lyrics
Songwriters: Orbison, Roy;
A candy-colored clown they call the Sandman
Tiptoes to my room every night
Just to sprinkle stardust and to whisper
“Go to sleep, everything is all right”
I close my eyes, then I drift away
Into the magic night, I softly say
A silent prayer like dreamers do
Then I fall asleep to dream my dreams of you
In dreams I walk with you
In dreams I talk to you
In dreams you’re mine all of the time
We’re together in dreams, in dreams
But just before the dawn
I awake and find you gone
I can’t help it, I can’t help it, if I cry
I remember that you said goodbye
It’s too bad that all these things
Can only happen in my dreams
Only in dreams
In beautiful dreams
D
on’t Give Up is song written by Peter Gabriel and recorded as a duet with Kate Bush for Gabriel’s album So. The single version spent eleven weeks in the UK Top 75 chart in 1986, peaking at number nine. It describes the despair of a man who feels isolated and defeated by the economic system, and the support and wise counsel sung in the refrain. There were two videos created for this song by Godley & Creme. The first consisted of a single take of the singers in an embrace, as the sun enters total eclipse and re-emerges. The second featured Gabriel and Bush’s faces superimposed over film of a town and its people in disrepair.
no fight left or so it seems
I am a man whose dreams have all deserted
I’ve changed my face, I’ve changed my name
but no one wants you when you lose
don’t give up
‘cos you have friends
don’t give up
you’re not beaten yet
don’t give up
I know you can make it good
though I saw it all around
never thought that I could be affected
thought that we’d be the last to go
it is so strange the way things turn
drove the night toward my home
the place that I was born, on the lakeside
as daylight broke, I saw the earth
the trees had burned down to the ground
don’t give up
you still have us
don’t give up
we don’t need much of anything
don’t give up
’cause somewhere there’s a place
where we belong
rest your head
you worry too much
it’s going to be alright
when times get rough
you can fall back on us
don’t give up
please don’t give up
‘got to walk out of here
I can’t take anymore
going to stand on that bridge
keep my eyes down below
whatever may come
and whatever may go
that river’s flowing
that river’s flowing
moved on to another town
tried hard to settle down
for every job, so many men
so many men no-one needs
don’t give up
’cause you have friends
don’t give up
you’re not the only one
don’t give up
no reason to be ashamed
don’t give up
you still have us
don’t give up now
we’re proud of who you are
don’t give up
you know it’s never been easy
don’t give up
’cause I believe there’s a place
there’s a place where we belong
S
igur Rós is an Icelandic post-rock band with melodic, classical, and minimalist elements. The band is known for its ethereal sound and lead singer Jónsi Birgisson’s falsetto voice. An extended Sæglópur EP was released, featured three new songs, which are said to be somewhere in between Ba Ba Ti Ki Di Do, untitled #9 from the Vaka EP, and the end of “Glósóli”. The EP also includes a DVD with all three music videos. Unlike its predecessor , the album’s lyrics are mostly in Icelandic, with occasional elements of Vonlenska (“Hopelandic”), a scat-like form of gibberish. The songs “Andvari”, “Gong” and “Mílanó” are sung entirely in Vonlenska. Moreover, the song “Mílanó” was written together with the string quartet Amiina. The BBC has frequently used tracks from Takk… in its programmes. “Hoppípolla” was employed as the backing music to trailers for the highly-acclaimed nature series Planet Earth and for the end credit of Match of the Day broadcasting the FA Cup Final. “Sæglópur” has been used as a backing tune for the BBC’s advertising campaign for the 2006 Wimbledon Championships, while snips of “Sæglópur”, “Milanó” and “Svo hljótt” appeared in Top Gear. “Sæglópur” was also notably used in Ubisoft’s Prince of Persia E3 2008 gameplay debut trailer as well as their televised commercials for the game. Sigur Rós received three awards at the Icelandic Music Awards in 2006: Best Album Design (along with Ísak Winther, Alex Somers and Lukka Sigurðardóttir), Best Alternative Act and Best Rock Album for Takk… Named in part after a sister of one of the bandmembers, Reykjavik, Iceland’s Sigur Rós (Victory Rose) was formed by guitarist and vocalist Jon Thor Birgisson, bassist Georg Holm, and drummer Agust. Formed in early 1994 while the members were teenagers, the trio’s first recorded song earned them a deal with Iceland’s Bad Taste label. Their sprawling debut LP, Von (Hope), was released in 1997, followed the next year by a collection of remixes from that album, Recycle Bin. Kjartan Sveinsson joined the band on keyboards and the band recorded 1999′s strings-heavy Ágætis Byrjun (Good Start), earning themselves numerous accolades in their homeland and achieving platinum status in sales. Agust then departed and was quickly replaced by Orri Páll DýRason. Svefn-G-Englar, their first release to be distributed outside of their native country, was hailed as NME’s Single of the Week during September of 1999, launching a press hype steamroller in the U.K. and — to a lesser extent — in the U.S. The “Ný Battery” single was issued in early 2000, the band’s breakout year. British independent Fat Cat began distributing the band, stretching their reach beyond Icelanders and rabid journalists. April dates in England with Godspeed You! Black Emperor were capped off by an appearance at the All Tomorrow’s Parties festival, and they also opened several dates of Radiohead’s European tour before year’s end. ….
So cry, why not?
We all do.
Then turn to the one you love.
And smile a smile that lights up all the room.
And follow your dreams,
in through every out door..
It seems thats what we’re here for….
D
eb Talan is one singer/songwriter that refuses to blend into the backdrop. With the searing intensity of a Patty Griffin combined with the vocal agility of a Jonatha Brooke, Talan’s distinctive sound may be the first thing to capture your attention, but her well-crafted pop songs will leave you humming her choruses and craving a repeat performance. Classically trained in clarinet and piano, Deb began writing music when she was only ten years old. By the time she graduated from high school, she had written numerous pop songs and composed a score for a local production of Shakespeare’s Twelfth Night. Her senior year in college, Deb picked up a guitar and has been toting it around ever since.
And if you can’t remember
a better time,
You can have mine, little one.
In days to come,
When your heart feels undone;
May you always find an open hand
And take comfort wherever you can, you can, you can.
And oh, It’s a strange place
And oh, everyone with a different face.
But just like you thought when you stopped here to linger,
We’re only as seperate as your little fingers.
So cry, why not?
We all do.
Then turn to the one you love.
And smile a smile that lights up all the room.
And follow your dreams,
in through every out door..
It seems thats what we’re here for.
And when you can’t remember
A better time,
You can have mine. little one.
In days to come,
When your heart feels undone;
May you always find an open hand.
And take comfort, there is comfort.
Take comfort wherever you can, you can, you can..
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