FRIDAY, MAY 18, 2012
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Quality of modern recordings

Quality of modern recordings

Bob Dylan

LOS ANGELES (Reuters) – Bob Dylan says the quality of modern recordings is “atrocious,” and even the songs on his new album sounded much better in the studio than on disc. “I don’t know anybody who’s made a record that sounds decent in the past 20 years, really,” the 65-year-old rocker said in an interview with Rolling Stone magazine. Dylan, who released eight studio albums in the past two decades, returns with his first recording in five years, “Modern Times,” next Tuesday. Noting the music industry’s complaints that illegal downloading means people are getting their music for free, he said, “Well, why not? It ain’t worth nothing anyway.” “You listen to these modern records, they’re atrocious, they have sound all over them,” he added. “There’s no definition of nothing, no vocal, no nothing, just like … static.” Dylan said he does his best to fight technology, but it’s a losing battle.”Even these songs probably sounded ten times better in the studio when we recorded ‘em. CDs are small. There’s no stature to it.”

Dr. Hook – ON THE COVER OF THE ROLLING STONE
Oh, we’re big rock singers.
We got golden fingers.
And we’re loved everywhere we go.
We sing about beauty,
And we sing about truth
At ten thousand dollars a show.
We take all kinds of pills
To give us all kind of thrills,
But the thrill we’ve never known
Is the thrill that’ll getcha
When you get your picture
On the cover of the Rolling Stone.

Rolling Stone…
Wanna see my picture on the cover.
Stone…
Wanna buy five copies for my Mother.
Stone…
Wanna see my smiling face
On the cover of the Rolling Stone.

I got a freaky old lady
Named Cocaine Katy
Who embroiders all my jeans.
Got my poor old grey-haired daddy
Drivin’ my limousine.
It’s all designed to blow our minds,
But our minds won’t really get blown
Like the blow that’ll getcha
When you get your picture
On the cover of the Rolling Stone.

We gotta lotta little teenage blue-eyed groupies
Who do anything we say.
We got a genuine Indian guru
Who’s teaching us a better way.
We got all the friends that money can buy,
So we never have to be alone.
And we keep getting richer,
But we can’t get our picture
On the cover of the Rolling Stone.

From Dr Hook’s “Bankrupt” album, 1972, Evil Eye Music, Inc.

Dr. Hook & the Medicine Show is a pop-country rock band formed in Union City, New Jersey in 1968. The original lineup consisted Ray Sawyer, Dennis Locorriere, Bill Francis, Jay David, and George Cummings, but their lineup changed quite a bit over the years. Other members include Jance Garfat, Rik Elswit, and Jon Wolters, Bob “Willard” Henke, and Rod Smarr. Sawyer was particularly noticeable due to his trademark cowboy hat and the eyepatch he wore due to a car accident in 1967. When told by a club owner that they needed a name to put out on the marquee, George made up a sign saying “Dr. Hook and the Medicine Show – Tonic for the soul.” The band name was a reference to Captain Hook from Peter Pan, but the Captain was missing a hand rather than an eye. Nevertheless, the name stuck.

On the cover of the Rolling Stone

The band hooked up with songwriter Shel Silverstein, and manager, Ron Haffkine, who was in charge of doing the music for the movie Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? Silverstein was writing songs for the film, and he and Haffkine hired the band to record, “The Last Morning,” which was the theme song for the movie. Haffkine also became their manager and got the band a record deal. He would also be their producer and song publisher; a combination fraught with peril, as the band later found out. Silverstein composed all of the songs on their first three albums. “Sylvia’s Mother,” a ballad from their first album, became a big hit, and “Cover of the Rolling Stone” from the follow up album, “Sloppy Seconds” attracted the attention of those who would like their silly stage show and its monologues done as fictional characters. It also got the band on the cover of Rolling Stone magazine, although as a caricature rather than a photograph. Another big hit of theirs (1976) was the classic “A Little Bit More” from the album with the same name. Other hit singles included “Only 16,” “Sharing the Night Together,” “When You’re In Love With A Beautiful Woman,” and “Sexy Eyes.”

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